The unawarded degrees, as seen here in the university library of the KU Leuven (in Belgium), the degrees that should have been awarded to young Ukrainians, killed by Russian aggression.
The murder of youth, of humanity's promise for the vain wishes of an old man.
Reblogging again because I forgot to add the link to the site :
by Gerard Donelan
For historical context, this is about making a panel for the AIDS quilt, a memorial project which began in San Francisco in 1985. Due to the stigma surrounding both homosexuality and AIDS during this time, victims of the epidemic were often cremated and disposed of or buried without ceremony, their bodies unclaimed by their families or origin or held by hospitals rather than released to same-sex partners.
Each panel in the AIDS quilt memorializes a life lost to the disease. Each panel is 3′ x 6′ (approximately 1 meter wide and 2 meters long), the approximate dimensions of a cemetery plot. The quilt, which then consisted of 1,920 panels representing 1,920 individuals lost to AIDS, was first displayed in Washington DC in 1987. The public response was immediate, positive, and overwhelming, and the quilt began taken around the country to be displayed in more cities. At each stop, the names of the dead were read out loud. At each stop, more panels were added.
By the time the quit returned to the US capital in 1988, it had more than 8,000 panels.
The quilt continues to grow. Today, it has over 50,000 panels memorializing over 100,000 of our dead. It’s too large now to physically display in its entirety, but you can view the entire thing online. There are also curated virtual displays of just panels which honor the Black and native people killed by the virus because in the US (and likely abroad, although I don’t know enough about public health elsewhere to say so with confidence), communities of color are disproportionately impacted by epidemics, as we have seen time and time again.
If you’re unable to access the quilt, here’s a zoomed in screenshot of the bottom left corner:
The quilt is made up of several panel, each panel itself consisting of 1 to 8 quilts.
Here’s a screenshot of the whole thing:
This is only about half of the people - our people - who were left to die because the government didn’t think “the gay disease” was a problem. This is why we march.
ALT
ALTPeople figured it out by matching domain registry stuff and the fact that his name was connected to the paypal account being used on his site
I think this is the same guy who ran a neo-nazi roleplay garrys mod server and got arrested on jan 6, not for storming the capital but for being the guy a bunch of them left behind to guard their illegally parked cars?
This site has been going around Twitter trans accounts quite a bit lately, so just pointing out here too that it'll do fuck all, they're exploiting trans people at a time when hrt is particularly hard to access and please don't give them your money
fuckin exploitative bullshit marketed in the worst way imaginable
literally selling laxatives as weight loss supplements
No actually, this needs to be in the body of the post.
This isn't someone looking to make a quick buck off the backs of desperate trans women.
This is someone who is gathering a hit list. This person may use your info for active swatting, but not just that, this product will kill you.
This product is outright dangerous. This dose of ashwagandha is ASTRONOMICAL. It's anxiolytic - meaning that it causes agitation and anxiety - and if you take this dose every day you'll be developing serotonin syndrome within 4-6 weeks, and an ER trip/death within 8. And if you're on medications that interact (SSRIs, antipsychotics, most kinds of opiates) or alcohol, this risk is magnified.
This person wants to KILL YOU.
Also the photo they're using for the founder is AI generated. The easiest tell is the neck tattoo seemingly merging with the collar of the shirt, and none of the locs actually having an end that connects them to the scalp.
There's a terf in the comments screeding about how this totally isn't a rightwing psyop and it's asian fetishizing trans ppl obsessed with anime doing this, so here's some irrefutable proof that it is, in fact, a right-wing dox honeypot!
If you go to any post by TheQueerQuirk on Twitter and replace the username part of the url with transaretr8ors it will redirect you to the same tweet with the new username, indicating that TheQueerQuirk's old username WAS in fact transaretr8ors. You can test this yourself.
They're also stealing images from r/transtimelines for fake reviews.
Their domain name was registered on June 2 and the address marked is a common scam address (seemingly of the Icelandic Phallological Museum).
THIS IS A HONEYPOT. THEY'RE COLLECTING ADDRESSES. YOU COULD BE SWATTED, HAVE YOUR IDENTITY STOLEN, OR AT THE VERY BEST RECEIVE A PRODUCT THAT WILL CAUSE SEROTONIN SYNDROME.
SPREAD.
In those days, unmarked women were considered imperfect, undesirable. One of the most enduring ullalim, a form of epic poetry that is chanted by the village bard, is the story of the warrior hero Banna who falls in love with the beautiful Lagunnawa. In the pre-colonial tale, their tattooed bodies are celebrated as badges of honor, wealth, beauty, and bravery.
When the American Catholic missionaries came and built schools in Kalinga, village girls were made to cover their arms with long sleeves. Being tattooed became a point of shame when women ventured to the city, and eventually fewer girls from the succeeding generation continued the tradition as Western concepts of beauty and respectability began to permeate the culture.
from "Apo Whang-Od And The Indelible Marks Of Filipino Identity"
VOGUE PHILIPPINES, April 2023 Cover Story
GUYS. GUYYYYYYYS. I don't know how many of you will be interested in this, but please allow me to share the latest Vogue PH issue. Because I am floored.
The woman on the cover is Apo Whang-Od, the oldest and, until just recently, the only remaining mambabatok (traditional Kalinga tattooist) in history. And now, at 106 years old, might also be the oldest person to be on the cover of Vogue.
In the last decade, Apo Whang-Od has been heralded to national treasure status in the Philippines for keeping a significant part of her people's culture (the Butbut tribe of Buscalan, Kalinga) alive, even through years of Western colonization and modernization. Through her, an art form and custom that was on the verge of being lost to history has had a reemergence, and allowed a lot of Filipinos to rediscover and reconnect with our roots.
I am just so pleasantly surprised and impressed that a thousand-year local tradition was perfectly captured in the cover of a fashion magazine. The portrait itself (photographed by Artu Nepomoceno) is such a good one, too. Allowing Apo Whang-Od to be the symbol of strength and beauty—in ageing, in culture and in being Filipino. Three cheers for this profound moment in representation, Vogue PH! THIS IS HOW YOU SEEEEERVE!
